Artists DRM (Daniel R Marks) and gemma+molly (Gemma Sattler and Molly McKenzie) take over the empty galleries with new explorations of embodied memory, wish- and myth-making, sensory il/legibility, and queered time.

In one performance DRM dirties and recalculates the figures of the public monument and the public body, through the recitals, re-enactments and excretions of puppeteered armour. In another performance gemma+molly encounter the nonlinear temporalities of water and wish making, through the passing, gargling and cycling of existing wishes between animate and inanimate orifices.

In these works, the artists work through choreography as its own applied logic of systemised sense-making and recognition.